SchoenPod
It has been customary for me to give out some holiday CD’s during the December SchoenPod, and I will continue that tradition with a few Christmas hits that you should look for in your stockings this year.
First off, Wynton Marsalis sounds good doing any type of music. One of the places he shines most is playing melodies, and Christmas songs are full of great melodies. Two years ago, he released a CD called Christmas Jazz Jam, and it features so much joy and fun that you won’t mind it if it acidentally pops up in your ITunes in July. A quick check on Amazon has this CD sold brand new for $7.99, a bargain considering I listened to this CD about every day last December.
Next, Ella Fitzgerald has one of the most unmistakable voices in music history…when she sings a note, you know exactly who it is. Pairing her voice with the holidays just makes sense. Her soulful ballads and range of emotion are hard to fathom, and this swinging Xmas album would make a great introduction to jazz for someone who is just not sure about giving it a try. Brand new on Amazon for $8.92!!
Lastly, “The Christmas Song (Chestnuts Roasting on an Open Fire)” is one of the most familiar Christmas songs we have. So many great artists have covered this song, but I always come back to the original recording by Nat King Cole. the song was written by the great Mel Torme, but Cole was the one who recorded it first, and for money, the best. He made many recordings of the tune, but look for the one made in 1946…that’s his first. At 99 cents on ITunes, you’ll download your way into a piece of Christmas history.
September happened to be Schoenbach Appreciation Month, as my birthday was on the 22nd. (If you were one of the people that forgot to get me anything, I do accept late gifts.) Anyhoo, one of the gifts I got was the CD/DVD set of a great concert: Wynton Marsalis and Eric Clapton together, playing the blues!! What an exhibition of greasy, stanky, and juicy playing by an extremely talented group of musicians. Blues is normally thought of as a simplistic music, but in the hands of Marsalis, it becomes complex in almost a dixeland kind of way. Clapton sounds right at home in this jazzy side of the blues, and his voice has all the gristle that you’d want from an old bluesman. All in all, a terrific CD that will get you moving for sure!!!
THE SCHOENPOD
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| Art Blakey |
By Mr. Kevin Schoenbach, Band Director
ThE ScHoEnPoD
It’s April, which means it’s Jazz Appreciation Month. Enjoy some serious swing!!!
I have been on a serious Art Blakey kick lately. Art Blakey was one of the most accomplished and baddest drummers around, and for many years, he led a group called The Jazz Messengers. This group would often feature the hottest instrumentalists around, who used this as a step to get to greatness themselves. Blakey’s groups were almost trumpet factories, because many great, historically great, trumpeters started their pro careers with him, like Clifford Brown, Lee Morgan, Freddie Hubbard, and Wynton Marsalis. My favorite album of the Messengers is “Night at Birdland” from 1954, featuring a young Clifford Brown on trumpet, and Lou Donaldson on alto sax. Clifford has long been one of my favorites, and on this album, you hear why his career as a sideman was so short, and why people like Miles Davis wanted to see him in concert. Donaldson’s sax playing is incredible, especially for someone who is usually an afterthought when you think of the great sax players of the 50′s. And Blakey punishes those skins, superimposing latin and swing at the same time, and doing it with ease. It’s rare to find a drummer that can create a story with a solo, but he can.
My wife’s favorite jazz artist is Thelonius Monk. He is a little more off the beaten path for most jazz fans…maybe that’s why she likes him. He was quite a prankster in real life, and this joy and quirkiness comes across in most of his music. He had many great songs that were covered by many artists, and his tunes are often credited for changing the way players played during his life. My favorite track is “Well, You Needn’t”, of which you can find dozens of recordings on ITunes to get a sense of the type of playing Thelonius did. I would recommend something live, so you hear the ebbs and flows of his solos and the band’s reactions to them. A great 99 cents to spend!!!
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| Thelonius Monk |
THE SCHOENPOD
By Mr. Kevin Schoenbach, Band Director
On my wife and I’s first trip to New Orleans, we were walking down the street and heard some amazing jazz, which is not uncommon. But this was REALLY good, and the crowd began to grow. The name of the group was the Jumbo Shrimp Jazz Band, and the album we purchased was called “Shrimp Creole”. Be ready for screaming trumpet, greasy trombone, and a singer who packs more soul into her sub-five foot frame then most anyone. Their music is available on ITunes.
Trumpeter Irvin Mayfield had a jazz club in our hotel, and we were able to see him play twice while down there. The performance we enjoyed the most was just him and a piano player in a huge cathedral, playing mainly ballads. He has a CD out with just him and one of the elder statesmen of jazz, Ellis Marsalis, and this will move you beyond words.
| THE SCHOENPOD |
By Mr. Kevin Schoenbach, Band Director ThE ScHoEnPoD John Coltrane has long been one of my biggest inspirations…his album “Blue Train” was the one that first got me so into jazz in the first place. Before he was considered one of the most influential figures in jazz, like most great jazzers, he was a sideman. Sidemen would wait for calls by bandleaders to fill out their bands, play a few solos, and compliment the bigger artists. Coltrane’s career as a sideman lasted only a couple years, mainly because he was just so good that every time he played, he was the best person there, often unintentionally upstaging the more famous artists. It became clear he was destined for stardom. There is a boxset I checked out from the library called “Side Steps” that comes with five discs, and chronicles Coltrane’s career as a sideman. While the boxset and the price may set you back a few bucks, you can start small on iTunes with the track “Polka Dots and Moonbeams” on an album by the pianist Elmo Hope. Listening to this, you can see why Coltrane steals the show…greatness is just so natural for him. It is a great track to put on while having a romantic dinner or relaxing by the fire, and would be a great springboard to buying a few more tracks off this amazing box set. |
| THE SCHOENPOD |
BACK BY POPULAR DEMAND!!!
By Mr. Kevin Schoenbach, Band DirectorThE ScHoEnPoD I recently had the fantastic opportunity to see the Chicago Symphony Orchestra, and the CSO conducting debut of Ricardo Muti, their new music director. It was an amazing and historic performance, culminating in fireworks and Muti speaking to the crowd. They closed up their concert with one of my favorite pieces, “The Pines of Rome” by Ottorino Respighi. This is a four movement work with something for everyone, but the highlight for me is the fourth movement. If you like power and joy both smashed into one, this is the piece for you. (it has brought me to tears more then once) At the concert, they had to bring out 12 extra brass players just to accomplish the loudness required of it. There are several excellent recordings out there, but why not go with the world’s best orchestra, the Chicago Symphony Orchestra. The entire piece is well worth a listen, but if you only want to spend 99 cents, go with the fourth movement.
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Miles Davis
I was reminded recently about the greatness the most sold record in jazz history, Miles Davis’ Kind of Blue. The album features the quintessential frontline of Davis on trumpet, Cannonball Adderley on the alto sax, and tenor sax legend John Coltrane. The horn players have such a different way of approaching improvisation, and the differences blend perfectly to form a record that every music lover should own. Miles Davis is in the thick of his cool jazz phase, and plays very simply and beautifully, aided by his trademark harmon mute. Cannonball plays much more bluesy with fast phrases, and Coltrane shows his dominance of the chords by flying through them with reckless abandon.
This album is great for people just getting into jazz, a candlelight dinner, or a high school jazz musician looking for different styles of soloing to listen to.
Gordon Goodwin and his Big Phat Jazz Band
Let’s get back to jazz this month, especially since April is Jazz Appreciation Month. In honor of the event, I have two recordings for you to check out. The first one is a newer one, and it is by Gordon Goodwin and his Big Phat Jazz Band. The band is comprised of some of the best studio players that L.A. has to offer. Goodwin writes with his players in mind, and his arrangements and compositions reflect the talent he has in his band. My favorite Big Phat Jazz CD is called Phat Pack, and it features songs not for the faint of heart…no slow dinner music here, just songs that will sonically knock you on your butt!!! Favorites on this CD are “Cut n’ Run”, “Attack of the Killer Tomatoes”, and a great version of “Play That Funky Music White Boy”.
Dave Brubeck
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The second CD is completely different, and definitely would do well for a candlelight dinner or a lazy night on the couch. It is by the artist selected as the 2010 Jazz Appreciation Month Artist, Dave Brubeck. This name should be familiar to a lot of music fans, and he is the writer of “Take 5″, one of the most famous compositions in history, and one of the only ones in quintuple meter. The CD is called Time Out, and it features Brubeck on piano, as well as Paul Desmond on saxophone, and there are few artists who play as smooth and with as much passion as Paul Desmond. Brubeck is known for being one of the pioneers of the cool jazz movement, and he wrote lots of music for the Charlie Brown series.
Last weekend, I saw a concert up in Milwaukee of a band called The Low Anthem. If I could describe them in two words, they would be “fantastically unusual.” Let’s talk about the instruments…a woman played clarinet very well, sang smoking high vocal harmony, played some guitar, crotales (basically a set of bells in the shape of discs instead of bars) and a bit of drums. Another guy sang, played an old school pump organ, and drums. Another guy played upright bass and accordion. And the last guy played guitar, drums, keyboards, clarinet, and soprano euphonium. The drumset had a concert bass drum as its focal point. It was very, very impressive to say the least. While most of their music is on the contemplative side, they did have some rocking bluesy numbers; check out “Don’t Let Nobody Turn You Around” if you want to see what I am talking about. Being able to play many instruments is something that us band directors are used to , but being able to play them well enough to perform on is another story. For something very different, give them a listen…they have 2 albums, both available on Itunes.

Anthony McGill

December’s Artist:
On the day before Halloween, my wife and I checked out a phenomenal new band called the Monsters of Folk. The band is two parts folk, 1 part rock, 1 part country, a bunch of parts delicious. The band features four guys who had modest success with other projects, and when they met on tour, they decided to form a band themselves. The four members are M.Ward (FRONTMAN OF “She and Him”), Jim James (lead singer of “My Morning Jacket”) and Conor Oberst and Mike Mogis (from the indie band “Bright Eyes”). They all play guitar, bass, piano, and drums, and all switch off between them during a concert. They take turn singing lead vocals, and sing with fantastic four-part harmony. Their debut CD, called “The Monsters of Folk” came out earlier on this year to rave reviews. Check ‘em out at www.monstersoffolk.com !!!!!

November’s Artists:

October’s Artist:
Nicholas Payton
Hello and welcome to a new feature of The Cadence, “The SchoenPod”.
I have well over 1500 CD’s and am always checking out new music in all styles, so this will predominantly focus on music that is not in the mainstream. This month’s selection is by trumpeter Nicholas Payton.
You can’t go wrong with anything by him…he is from the New Orleans style of playing and has several excellent albums out, all of which showcase his fiery trumpet playing, brash and in your face one moment, and soft and subdued the next. His second album, Gumbo Nouveau, takes many of the songs familiar in his hometown of New Orleans and puts his spin on them.
Track one, “Whoopin’ Blues”, is my personal favorite; it has a great dixieland parade vibe, with plenty of soloing room for everyone. If you ever get a chance to see him in concert, you won’t be sorry. The two times I have seen him live at the Jazz Showcase downtown, I was amazed at the energy he brought forth to his entire set. Enjoy!!!!!!
To listen to musical selections from “Into The Blue” go to www.nicholaspayton.com
- Mr. Schoenbach
By Mr. Kevin Schoenbach, Band Director
ThE ScHoEnPoD
John Coltrane has long been one of my biggest inspirations…his album “Blue Train” was the one that first got me so into jazz in the first place. Before he was considered one of the most influential figures in jazz, like most great jazzers, he was a sideman. Sidemen would wait for calls by bandleaders to fill out their bands, play a few solos, and compliment the bigger artists. Coltrane’s career as a sideman lasted only a couple years, mainly because he was just so good that every time he played, he was the best person there, often unintentionally upstaging the more famous artists. It became clear he was destined for stardom.
There is a boxset I checked out from the library called “Side Steps” that comes with five discs, and chronicles Coltrane’s career as a sideman. While the boxset and the price may set you back a few bucks, you can start small on iTunes with the track “Polka Dots and Moonbeams” on an album by the pianist Elmo Hope. Listening to this, you can see why Coltrane steals the show…greatness is just so natural for him. It is a great track to put on while having a romantic dinner or relaxing by the fire, and would be a great springboard to buying a few more tracks off this amazing box set.



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